The Tragedy of the Commons (featuring Alissa White-Gluz)ġ4. Hands of Gold (featuring Alissa White-Gluz)ĩ. Rob van der Loo, Sander Zoer, Guus Eikens)Ģ Your Body Is A Battleground (feat. Alissa White-Gluz)ġ Sleepwalkers Dream (feat. Bell)ġ2 The Tragedy Of The Commons (feat. Alissa White-Gluz)ĩ Where Is The Blood (feat. DELAIN invited many more unforgettable guests to their birthday party - you'll find the sound of Marco Hietala of NIGHTWISH as well as Liv Kristine to name just a few on the second half of this double album.ĭELAIN have celebrated 10 years with their musical friends and their fans and it truly is a special moment.Ģ Hands Of Gold (feat. Bell features on "Where Is The Blood" in another standout track. Additionally, Fear Factory front man Burton C. Charlotte Wessels with her versatile vocal skills and the vibe of the guitars will elicit a visceral reaction, leaving you covered in goosebumps. Naturally, songs like "Suckerpunch" and "We Are The Others" find their place in the track listing, as well as the beast of an opener "Hands Of Gold," which features Arch Enemy's "Alissa White-Gluz" which amounts to an in your face epic duet.įlawless chants and solo guitars lift this live record to a monumental state. 2-CD+BluRay+DVD in Slipcase, Cover Flag, Laminate, Lanyard & 6 Photo Cardsĭelain celebrate their unforgettable tenth anniversary surrounded by musical friends and fans.ĭELAIN are celebrating their tenth anniversary!ĭELAIN will release their first live album "A Decade Of Delain - Live at Paradiso" a splendid, two CD-set fueled by some seriously incredible highlights. “Moonbathers” releases on August 26th! You can pre-order the album via iTunes here, and preview the entire album via YouTube here or below.EXCLUSIVELY AVAILABLE VIA THE NAPALM RECORDS MAILORDER AND ONLINE STORE!ĭeluxe Box limited to 500 units incl. A momentous occasion for any group, and this one in particular made a fittingly momentous album to seal the deal. In the end of a wondrous display, it’s hard to argue that Delain did one fucking hell of an amazing job to celebrate 10 years of being a band. And if you’re getting bored with the lack of intensity that you may be looking for, then fear not for featured within “Moonbathers” is the beautiful and illustrious Alissa White-Gluz who lends her massive vocals to add a brilliant new layer to the already masterfully sculpted music Delain made.
DELAIN LIVE AT PARADISO ITUNES HOW TO
Then there’s the matter that I made a big deal of earlier which is the vocals, and Delain know how to use their front woman’s voice to the absolute max as they provide soaring melodies and such a beautiful union alongside the melodic yet slightly edgy metal and orchestra that when thrown together in the final mix for an explosive demonstration that is simply monumental in its smallest of moments. And what’s something that every single symphonic piece as to it? Symphonies, of course! And Delain use them in a particularly epic way with “Moonbathers” as every fucking track that you come across has a masterfully played array of orchestra demonstrations that just seem to come so naturally and are so fluid that it’s hard to ignore them upon a first listening. Symphonic metal has never really been my taste, but Delain have been around for such a while and they’ve garnered such a great following that I decided to test my luck with “Moonbathers”, and goddamn it do I wish I listen to these Dutch masters sooner! This twelve track mammoth of an album has got everything magnificent you could possibly want out of symphonic metal record and just much more as Delain manage to make a spectacle that little have done before on such a grand scale. And that’s a real travesty with bands like Delain making an excellent case for the potential of front women, and their upcoming album “Moonbathers” isn’t just a great example of such but a magnificent album in general. I’m not trying to be all “more power to women” or calling many bands “sexist fucks”, but simply because you just don’t see a lot of women busting out their own growls or singing beautiful melodies as often as you do men in metal. It’s a huge disappointment to me that there aren’t many more front women in the world of metal.
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